Climbing Through My Brain

The work in context

Climbing Through My Brain uses post-photographic imagery to give internal conflict an outward form. Pop Punk’s account contrasts competing impulses and decisions with structures associated with modern life, making psychological instability and physical architecture speak to one another. [1]

Construction and process

The release text frames this as a personal series, but does not license a biographical diagnosis. Its process is documented at the level of post-photography rather than a specific model or dataset. The collection belongs in a conversation with Views and LIWA about how plausible-looking spaces can carry experiences that were never photographed. [1]

Release and mint

The official catalogue dates this release to 2024-05-23. At the 2026-10-13 check, the platform reported 100 minted works against a maximum of 100. Those equal figures establish the platform’s reported count, not how quickly the edition sold or who performed the mints. [1]

Launch price, presale conditions, mint duration and realised proceeds are not established in this dossier’s evidence. No current market price is substituted for a historical mint price. [1]

Token and preservation

This release uses the shared BrainDrops Ethereum contract. Its official project identifier is 34; the archive matches token IDs to projects and checks ownership at a fixed block. The contract record, token metadata and displayed media are separate parts of the object. [2][3]

BD5D stores optimised still previews, and preserves original media links in its catalogue. The evidence assembled here does not establish that the generative model, its training data, or the full-resolution artwork bytes execute or reside on Ethereum.

Official project and original presentation · Catalogue record

Rights record

Series-specific licence: not established. No explicit licence grant has been verified in the sources cited for this dossier. BD5D does not label the work CC0 or assign commercial rights from token ownership. The paper or software associated with a project may have its own licence; that is a separate record from the artwork.